Now is he for the numbers that Petrarch flowed in: Laura to his lady was but a kitchen-wench; marry, she had a better love to be-rhyme her; Dido a dowdy; Cleopatra a gipsy; Helen and Hero hildings and harlots; Thisbe a grey eye or so, but not to the purpose. The mother describes Paris as beautiful, comparing him to a fine book that only lacks a cover. These words may be immediately adjacent or separated by a few words. She hath Dian's wit, And, in strong proof of chastity well arm'd, From Love's weak childish bow she lives uharm'd. It does not describe in detail the person or thing to which it refers. Queen Dido:- was Princess of Tyre in. Act 2, Scene 1, Lines 44-64 In this quote, it is basically Romeo describing how perfectly beautiful Juliet is, comparing her to the sun, and her eyes to the stars.
Cupid was the god of love and attraction, often seen with a bow and arrow used to smite the intended person. Light is a major within the play. While theoretically defending Juliet's youthful freedom, he also reveals his tendency to think of her as an object by granting Paris the opportunity to woo her. It is just a passing comment and the writer expects the reader to possess enough knowledge to spot the allusion and grasp its importance in a text. That which we call a rose, By any other name would smell just as sweet. This quote shows how Romeo finds himself as the 'main character' in his own fate. Tybalt overhears Romeo asking a servingman about Juliet, and recognizes the masked man's voice.
This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage. Laura to his lady was but a kitchen- wench— marry, she had a better love to berhyme her—Dido a dowdy, Cleopatra a gypsy, Helen and Hero hildings and harlots, Thisbe a grey eye or so, but not to the purpose. Romeo, on the other hand, exhibits qualities that could be considered feminine by Shakespearean standards — he is melancholy and introverted, choosing to remain distant from both the feud and the violence in Verona. They whisper to each other through a crack in the wall and arrange to meet in front of Ninus' tomb. Juliet alludes to Echo in order to emphasize her dedication to calling for Romeo; she would make both herself and Echo hoarse with his name.
This is evident from the first scene, when even the patriarchs of both families enter the public street fight, ready to kill. Throughout the play, Shakespeare associates daytime with disorder — not only does the Act I street fight occur in the daytime, but Romeo also kills Tybalt during the day — while order appears within the secrecy afforded by nighttime. In addition, the Chorus also introduces certain sources of dramatic tension that re-appear throughout the rest of the play. As a queen of the fairies, Queen Mab helped people in the fruition of their dreams. Hence, he often sleeps at dawn — the moment when the goddess Aurora awakes from her sleep and ascends the sky.
Romeo approaches Juliet and touches her hand. Think: ancient mythology and the Bible. After Prince Escalus breaks up the whole-city riot, we see Montague talking with Benvolio about how he is concerned about his son Romeo. Romeo takes up Juliet's insistence that it is night and not day by using this allusion to say that the light outside comes from the moon instead of the sun. You gave us the counterfeit fairly last night. In Act 1, Romeo's most pronounced qualities are his petulance and capriciousness.
Leander, who lived across the strait, saw her and fell in love with her. While he shares this story, Mercutio's tone becomes so passionate that Romeo must forcefully quieten him. Both Romeo and Juliet know that it is morning but want to prolong the night. The Roman goddess, Aurora, had the unique job of going throughout the skies each day announcing the arrival of the dawn. For instance, in the scene between Lord Capulet and Paris, the patriarch introduces his desire to control his daughter. Using the works of William Shakespeare as a source to understand this literary tool is one of the finest places to start.
Everything he is doing, he blames on fate. However, after asking Romeo if he truly loves her, Juliet maintains that even if he were to lie about his loyalty, Jove would not be offended in the least since Jove pays no heed to unfaithful lovers retracting from their promises. When Thisbe returned, she found Pyramus lying there, dead. To punish him for his sight, Diana turns Acteon into a stag, and he is then torn apart by his own dogs. While the Prince frequently exhibits strong authority - declaring street fighting illegal and later, banishing Romeo - his decrees only produce minimal results, and the law is never as powerful as the forces of love in the play.
However, the love between Romeo and Juliet is not frivolous. The brightness of her cheek would shame those stars As daylight doth a lamp; her eye in heaven Would through the airy region stream so bright That birds would sing and think it were not night. Just opposite to what thou justly seem'st, A damned saint, an honourable villain! Their occurrence is fairly common in our daily speech. This foreshadows Juliet's fate in Act 4, Scene 1. GradeSaver, 26 June 2013 Web. The use of the sonnet here draws our attention to the form, or construction, of the words Shakespeare uses.
This tragic story links together the fate of Thisbe and Pyramus and the fate of Juliet and Romeo. His friends and potentially, the audience find Romeo's melancholy mood to be grating, and are confused when he quickly forgets Rosaline to fall madly in love with Juliet. Quote 5: O Romeo, Romeo, wherefore art thou Romeo? Not only that, she is referring to night as a dark shroud, or veil, that will conceal Romeo from being dangerously seen by her family so that they can perform engage in their wedding night. Helen was the daughter of the greek god head, Zeus, and well-known for her beauty. There is a hyperbolic and playful tone to this response. Then, , Juliet's cousin, walks onto the street.
This literary device coupled with the choice to begin the story with a spoiler suggests that the purpose of this play is not the plot but the way in which the plot is constructed. Act One, Scene Two Lord Capulet for permission to marry Juliet, but Capulet insists that Paris should be patient, since Juliet is only thirteen. The Prince then orders everyone to return home and cease hostilities at the risk of great punishment. Cynthia is another name for Artemis the Greek god of the moon. He is really mocking Romeo's obsession with this one woman.